Tag: Regency fiction

  • Jane Austen, Persuasion and Lyme Regis

    The Austen family visited Lyme Regis in the Autumn of 1803 and again in the summer of 1804.  At the time of their visit, Lyme Regis was fast becoming a popular destination for middle class Georgians to enjoy the healing properties of bathing and the sea air.

    Historian Lucy Worsley in her research for her work Jane Austen at Home managed to track down where the Austens stayed for part of their summer sojourn, and identifies it as Pyne House in Broad Street.  The house, now divided into holiday flats, still exists and Lucy Worsley stayed there during the course of her research.  Although it seems that Jane Austen did not return to Lyme Regis after 1804, her time there clearly made a firm impression on her as she later used the setting in her final completed novel, Persuasion.

    Characters are rarely static in Austen’s work, frequently moving between locations, and Persuasion is no exception.  Anne Elliot, the heroine of the text, moves between three significant settings.  The novel begins in rural Somersetshire.  There is an interlude in Lyme Regis.  The novel then concludes in Bath.  It is the section in Lyme Regis which interests me, although my use of the term ‘interlude’ may not be the most accurate word.  Whilst constituting a relatively small portion of the novel, it is this section which proves transformative for Anne, in part through the symbolic nature of the landscape.  However, before we arrive at Lyme Regis it may be useful to establish a little bit of context.

    The novel tells the story of twenty-seven year old Anne Elliot, rather an elderly spinster by Regency standards, who, we are frequently told, is now losing her bloom.  We encounter Anne some eight years after her broken engagement to Frederick Wentworth, who was a Lieutenant of limited financial means.  The broken engagement has occurred before the beginning of the novel and the reader has to piece together the details as the novel unfolds.  Anne was persuaded to end the engagement through family pressure due to concerns about Wentworth’s lower status.  During the eight years which have passed, no potential suitors have generated the same depth of feeling and thus Anne may well be facing life as an old maid.  To compound matters further, the Elliots have seen a decline in their fortunes due to reckless money management by Anne’s father.  They have no choice but to rent out the family home of Kellynch Hall.  Thus, the widowed Sir Walter and Anne’s older and unmarried sister Elizabeth set up residence in Bath.  Meanwhile, Anne goes to live with her younger married sister Mary at Upper Cross.  Kellynch Hall is rented out to Admiral Croft following his return from the Napoleonic Wars.  His wife just happens to be the sister of Frederick Wentworth (he of the broken engagement) thus making way for his return into Anne’s life.  Whilst the Elliot fortunes have declined, Wentworth is now a wealthy Captain.  He remains angry and bitter over the end of the relationship, and any reconciliation seems unlikely, making the usual Austen happy ending doubtful.

    On the surface, Anne Elliot appears a more reserved and introverted Austen heroine but her development is connected to the locations in which she finds herself.  Just under half way through the novel a visit to Lyme Regis is proposed and thus Anne finds herself joining a party consisting of her sister Mary and husband Charles, and his sisters Henrietta and Louisa.  Captain Wentworth is also part of the group and seems to be engaging in some mild flirtation with Louisa.

    Passing time is a recurrent theme in the novel, not least due to the frequent references to Anne’s fading youth.  The sense of lateness is continued during the visit to Lyme Regis.  It is November, and so the holiday season is over: ‘…the rooms were shut up, the lodgers almost all gone, scarcely any family but of the residents left.’ It being November, the daylight is fast fading and the narrator tells us ‘… it was very evident they would not have more time for looking about them, before the light and warmth of the day were gone.’ (Chapter Eleven). This somewhat melancholy feel is extended through Anne’s sense of regret at what might have been regarding Captain Wentworth, and Lyme Regis becomes a place for reflection.  However, the location quickly works its magic as Anne begins to enjoy herself and becomes more confident as she begins to appreciate her own intelligence.  The following morning, she partakes of a ‘stroll down to the sea before breakfast’ (Chapter Eleven) in the company of Henrietta.  The narrator describes how Anne glories in the delight of the sea breeze.  Later that morning Anne accompanies Captain Wentworth, Louisa and Henrietta on a trip to town.  It is on the way back that a significant event occurs in terms of Anne’s transformation.  As they are about to descend the steps leading down to the beach they encounter a gentleman who draws back to allow them to go first.  As they pass by, the gentleman looks at Anne:

    … with a degree of earnest admiration which she could not be insensible of.  She was looking remarkably well; her very regular, very pretty features, having the bloom and freshness of youth restored by the fine wind which had been blowing on her complexion, and by the animation of eye which it had also produced. (Chapter Twelve)

    This is the first instance of Anne’s appearance being described in favourable terms.  The moment becomes more significant though:

    It was evident that the gentleman (completely a gentleman in manner), admired her exceedingly.  Captain Wentworth looked round at her instantly in a way which showed his noticing of it.  He gave her a momentary glance – a glance of brightness, which seemed to say, ‘That man is struck with you – and even I, at this moment, see something like Anne Elliot again.  (Chapter Twelve)

    This is an important moment.  Not only has the vigour of the sea air restored Anne’s fading bloom, Captain Wentworth is witness to another man finding her attractive, which begins a shift in his own feelings.

    The next significant event concerns an accident at the Cobb.  This is a stone constructed breakwater and jetty, some of which dates back to medieval times.  It has proved to be an important structure over the years, preventing coastal erosion and securing a safe harbour for trade, and thus is of great economic importance for the town.  It has been extended and repaired many times over the centuries.  Earlier, the narrator has praised ‘its old wonders and new improvements, with the very beautiful line of cliffs stretching out to the east of the town,’ a description which is still recognisable today.  Jane Austen’s fondness for Lyme Regis is evident through the way in which she creates a sense of the surrounding scenery.

    The rather boisterous Louisa has previously enjoyed being jumped down from stiles by Captain Wentworth as ‘the sensation was delightful to her.’  Whilst the other ladies are content to use the steps from the high part of the Cobb to the lower level, Louisa again wishes to be jumped down.  Wentworth is reluctant to do so, fearing the hardness of the pavement will be too jarring for her.  She refuses to listen, he reluctantly agrees, and all is well.  That is until she runs up the steps to be jumped down again.  This time she jumps too soon and he fails to catch her, ‘she fell on the pavement on the lower Cobb, and was taken up lifeless!’ (Chapter Twelve) Her face is described as ‘like death’.  Chaos ensues, her sister Henrietta faints and Wentworth is beside himself with guilt and despair.  It falls to Anne to take control, providing smelling salts, supporting the fainting sister, and insisting a surgeon is sent for.  As the drama continues, Anne remains a figure of calm and it becomes clear Wentworth defers to her authority and begins to appreciate, rather than resent, her presence.

    Lyme Regis functions as a place of transition.  In terms of structure, it occupies a small space in the narrative, just two chapters at the end of Volume I, providing an interlude between the rural Somersetshire chapters in Volume I and the Bath chapters in Volume II.  However, it provides a crucial turning point in the story of Anne Eliot.  She gains a newfound confidence regarding her intellectual strengths, and experiences moments of self-realisation regarding her own actions in the broken engagement to Wentworth.  Furthermore, her physical health is improved by the sea air and she regains some of her lost, all important, bloom.  The narrator describes it as an ideal place ‘for sitting in unwearied contemplation’.  Indeed, Austen’s love for the location clearly comes through as we are told ‘these places must be visited, and visited again, to make the worth of Lyme understood.’ (Chapter Eleven) As we leave Anne Elliot just half way through her story, you could now turn to Persuasion to see how her future unfolds.

    (Photos are author’s own)

  • Pride and Prejudice

    In honour of Jane Austen’s 250th birthday last week, here is my piece on Pride and Prejudice.

    When I first read Pride and Prejudice as a moody fourteen year old, I was far from impressed. I had little interest in the characters, even less enthusiasm for the society in which they lived, and as for the preoccupation with marriage, well that just left me cold.  Some of you dear readers may gasp in horror at such notions.  However, my fourteen year old self was in good company, as Charlotte Brontë also thought Miss Austen was somewhat over-rated. In a letter to her friend, the literary critic G. H. Lewes she asked: ‘Why do you like Miss Austen so very much? I am puzzled on that point.’ On the basis of Lewis’s praise she went ahead and read Pride and Prejudice and delivered her verdict:

    And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully-fenced, highly cultivated garden with neat borders and delicate flowers – but no glance of a bright vivid physiognomy – no open country – no fresh air – no blue hill – no bonny beck.  I should hardly like to live with her ladies and gentlemen in their elegant but confined houses. (Quoted in Elizabeth Gaskell, The Life of Charlotte Bronte, p.258)

    Ouch. In other words, Jane Austen’s style of writing is controlled, contained and ‘confined’, and one could even say, despite the sophistication of the society presented, it is a little common-place.  That is, if you agree with Miss Brontë.

    The next time I encountered Pride and Prejudice I was a mature undergraduate student and I was not all that enthused as finding this novel on my reading list.  However, after reading the first chapter I experienced a shift in my earlier opinions and was impressed by how much Austen achieves in the space of just a few pages.  Plus I immediately began to appreciate Austen’s humour.

    The opening sentence is one of the most well known beginnings to a novel in English literary history: ‘It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.’  The narrative voice continues to explain that regardless of how much or little is known about said man, such ideas are so powerful ‘he is considered as the rightful property of some one or other of their daughters.’  We are then introduced to Mr and Mrs Bennet and from their ensuing dialogue on the subject of the newly arrived Mr Bingley into the neighbourhood their characters are firmly established.  Mr Bennet appears quick witted and seems to enjoy using his words to toy with his wife. His response to her laying claim on Mr Bingley as a potential husband for one of their daughters is the question ‘Is that his design in settling here?’ Her lack of insight is immediately apparent as she takes his question at face value whilst the reader recognizes his sarcasm.  As their exchange continues Mrs Bennet declares ‘… You take delight in vexing me. You have no compassion for my nerves.’ Her husband’s witty retort once again is not absorbed by her and is again at her expense:

    ‘You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.’

    Thus, the first chapter establishes the social world of the novel, with its rules and traditions, it introduces some of the significant characters in a mildly humorous way, and in case the reader is in any doubt about Mrs Bennet, concludes by informing us ‘The business of her life was to get her daughters married; its solace was visiting and news.’

    To read the rest of this article please follow the link to the Wordsworth blog by clicking here